texts

TEXTS

A R T nS T A T E M E N T S

QUOTES

RECOMMENDATIONS

WRITINGS

PRESS

 

 

PAINTINGS

INSTALLATIONS & OBJECTS

DRAWINGS

SET & COSTUME DESIGN


DIGITAL ART


PHOTOGRAPHY

  ARTIST WORKS TEXTS & PRESS RESUME CONTACT

art statements & press

The 32nd Annual L.A. Weekly Theater Awards, Nominees Los Angeles:
SET DESIGN BIRGITTE MOOS The Arsonists at The Odyssey Theatre
Awards bash at The El Rey Theatre in the Miracle Mile, April 4th, 2011
 
Driven to Abstraction; My Bloody Black Valentine show        
GLORIA DELSON CONTEMPORARY ARTS, LA, March 2009 
and CAPORALE BLEICHER GALLERY, LA, January 2011
Link to VIDEO & ART STATEMENT

STAGE AND CINEMA. THEATER IN LOS ANGELES: THE BEST OF 2010 AWARD, January.1.2011
The Arsonists at The Odyssey Theatre
ARTS District Winterfest,  Dec. 10, 2010
warehouse 833 E. Third St., Los Angeles, CA 90013
The Los Angeles Downtown Arts District is a community of downtown Los Angeles. 
It was created in the 1970's when artists moved into the empty warehouse and manufacturing            
spaces in buildings up to 130 years old in the area between Little Tokyo and the L.A. River. 
The residents gained legal status when the LA City Council permitted artists to live in their work 
spaces as live/work space. In the 1990's, at the urging of Arts District activist Joel Bloom, the 
area was officially designated as the Arts District. It is home to hundreds of artists, musicians, 
artisans and dozens of arts-related enterprises, including the Southern California Institute of 
Architecture (Sci-Arc), Cornerstone Theater, ArtShare and a scattering of galleries, cafes and
restaurants.



BØRSEN NEWSPAPER ARTICLE: Dreams and Hard Work
November29, 2010

Transitstation Copenhagen 2010, May 17, 2010
Video
Winner of Rogue Monks T-Shirt Design Competiition
May 1, 2010


The Arsonists  at  The  Odyssey  Theatre
April - June 2010
Set and costume design by Birgitte Moos
PRESS           
Los Angeles Times - CRITICS PICK; Theater review: The Arsonists at KOAN at the Odyssey April 15, 2010
”...Among the first-rate design elements, Birgitte Moos’ striking set holds some real surprises.”
L.A. Weekly Theater Critics. April 8, 2010
”...Set designer Birgitte Moos' beautiful two-level set (1950s-style living room and attic) is ingenious...” STAGE AND CINEMA. FIREMEN, SAVE MY WORLD, April 11, 2010
”... the look and feel of a grim East-European film of the 60s, with just the right touch of Keystone Kops madness...”

BEVERLY PRESS, April 8, 2010
”...super set design co-operation from Birgitte Moos...”
BACKSTAGE. CRITICS PICK: The Arsonists. KOAN at The Odyssey Theatre. 7.4.2010
Campus Circle, May 5, 2010
”The two level set design from the wallpaper to the hanging houses was beautifully developed by Danish set designer and fine artist Birgitte Moos. (I could not expect less from a student of Achim Freyer.)...”
A CurtainUp, Los Angeles Review: The Arsonists, 8 april, 2010
“Scenic designer Birgitte Moos has layered that second level attic atop a sterile white living room that looks like it might be a generic hotel room. Miniature houses representing the city float in space, and the firefighters scale metal towers to peek in the windows…”
LA THEATRE REVIEW, April 9, 2010
”The set, by Birgitte Moos... was marvelously evocative...”
BITTER LEMONS, April 2010
EDGAR VARELA FINE ARTS. Exhibition March 21st - April 11th, 2009. BEDLAM MAGAZINE March 20th, 2009
TIGGEROPERAEN / THE BEGGARS OPERA by Theatre Cantabile 2 at K2,Copenhagen.            
January 12 - 24, 2009
Set and costume design by Birgitte Moos
PRESS
January 17, 2009_-_Weekend Avisen/ The weekend Newspaper
"Conjures a dark image in a broad format."
January 17, 2009_-_Information
“Cheerful, it isn't. But smashingly beautiful and visually uncompromisingly.” January 24, 2009 - Arbejderen/The Worker
“... in addition Cantabile2 puts its weight behind the visual images in
the scenography. Colours, figures, large surprising installations...
the scenography is simple yet symbol laden. Just like Brecht the
few props have a large role in the piece.”
January 13, 2009_-_Gregers Dirckinck-Holmfeld
“... or we are closer to a silent performance in this beautiful downplayed
presentation, where the pathos is on the verge of the Spaniard Garcia
Lorca.”
January 13, 2009 - Frederiksborg Amts Avis/Frederiksborg County Newspaper
“... also oddly enough from the visual expression and the fantasticly rich
ideas that are behind, the performance is an unique experience.”
January 18, 2009_-_Politiken
January 14, 2009_-_Berlingske Tidende
January 13, 2009_-_Morgenavisen Jyllands-Posten

 

 
THE PAINTING WHITE COWS & 5 storefront installations
Art Statement

 




M.J. Higgins Gallery - Los Angeles June 2006
Repulsive Repetition Series Art statement


I Am Nation Social Network - Overvision's blog - Art @ Pershing Square     11/29/09
'Also displayed was the art of Birgitte Moos. Her work explores ancient Greek Mythology in a 
contemporary way.'



MIRROR WRITINGS
Art Statement

 
 
MEMORY  PALACE SERIES by Birgitte Moos
Art Statement

GALLERY WESTPHALL - Copenhagen. January, 2007
Press Release
The exhibition consists of 16 brand new paintings. Dark images inspired by the late 70's punk
epoch and the transition into the art movement of the Young Wild Ones' strangulated cry for help. 
The fatalistic cry of the no future generation towards a Pre-spirituality: Time is now! 
The conceptual approach in these paintings tends to become an abstract science. Where the 
images of memory transcend into a form, to evoke emotion. 

BISCUIT LOFTS EXHIBITION, April - May 2007

May 2007 - CITIZEN LA. The  Biscuit – an accidental art exhibition. Downtown LA, 
Text by Jonathan Jerald
“A large work by Danish-Angelino Birgitte Moos, whose abstract paintings of black and red 
modules, evoke dark and dramatic urban landscapes, dominates a loft room adjacent to the 
main display space". 

April 2007 - KTLA The Morning News Live

April 2007 - LAIST. Biscuit Lofts to House Lofty Resident(s)


May 2007 - INTERVIEW. LA MAGAZINE

 

Dec 4, 2007 - REUTERS.  Lacy Studio Lofts, New Urban Residences for Creative Angelenos,
to Open in December                                          LINK TO ARTICLE


December  1999 - POLITIKEN - The Original Idea.
'Lack of Oxygene',  Winner of The Scandinavian CLOSE-UP Shorts Competition
        
SET & COSTUME DESIGN for The Hamletmachine. Play written by Heiner Muller
Thesis project at Denmarks Designschool                LINK TO PROJECT DESCRIPTION
         

quotes

"BIRGITTE AT WORK? YOU SAY. 
In the past few months, I have keenly observed an artist in lust with abstract expressionism, 
a fine artist sublime. 
Her day begins late, an ecclesiastic abominance, and ends late, the working mans abhorrence. 
I have only seen her work with cabinet pictures, yet the details of cissing and crawl are clear 
and unmistakeable, a palpable form for the tears emotive. Love and pain the two indistinguishable 
parts of orgasm. 
Sometimes she uses impasto, where minute shadows straggle albeit in questionable harmony, 
yet achieving the depth of an almost three dimensional character of a bas relief. Even though 
she paints with acrylic, there are many instances where she reaches disturbingly into the school 
of aquarelle, strangely enough imparting an illusion of fugitive colours. Her retouching is mood 
oriented, with rarely a conscious thought to embellish or improve the original, rather an emotional 
withdrawal system, the elegy of saying goodbye to a lover. Her collection is a visual melisma where 
one syllable of a theme is carried through several notes of painted symphony. In a world of where 
everyone uses eclecticism, somehow the artist must, if likened to another, struggle to avoid 
plagiarism, that too, is the essence of a fine artist, sublime".          

Cheiron Coelho, Writer. Copenhagen november 2006                            


"You are a very talented painter"         
Achim Freyer, Berlin 1997
 

recommendations

“...I know Birgitte as being a very engaged and competent person, who out of precise desires 
and lines of direction for the projects she is involved in, is capable of creating solutions, which in 
original ways unites functionality with high aesthetic. In addition to that, her works contains a high 
extent of personality, which clearly manifests that she is capable of supplying a given commission 
new dimensions. 
Birgitte shows exceptionally understanding and sharp talent in the artistic field of scenography 
and production design for theatre and film. She contains great human qualities and values, and has 
a pleasant manner, getting along with people. This makes it a pleasure co-operating with Birgitte. 
She is simultaneously ambichious, outstandingly energetic and very purposeful...”

Jonas Elmer
Film Director


February 27, 2007 - STATION NEXT (ZENTROPA PRODUCTIONS), Copenhagen

Station Next is the film school that lies in the heart of The Film town in Avedoere; Denmarks international 
production environment acclaimed for its creative film art. Station Next cooperates with Zentropa Film 
Production, Nimbus Film production, Nordisk Film  Production, the two national broadcasting channels et 
al. Station Next’ primary vision is to acknowledge and create an awareness in the vast talent and potential 
of young film creators in Denmark. 
Since 2004 Birgitte Moos has frequently lectured film production design at Station next. Birgitte has a high 
vocational base that places her in that certain category reserved for outstanding Danish mediators in the 
creation of film. She possesses an astute and innate understanding of disseminating knowledge to a wider 
public. Pupils have time and again declared Birgittes teaching to be inspiring, enriching and invaluable. 
Her accomplishments are manifold. She is an eminent production designer and a very talented painter. She 
is unusually articulate and entertaining. Birgitte functions perfectly in the role of a teacher. 
Great artistic talent is characterized by the artists ability to be innovative, and this Birgitte possesses in 
abundance. In her artistic work, she has a high level of proficiency in developing visual concepts based on 
literary sources, for theatre and film. Her strongest skills are the analysis of a script and the creation of 
its visual appearance whether on stage or screen. Birgitte Moos is enourmously qualified to work with the 
education of design of television, film, video and the performing arts. 
We here at Station Next, are happy to salute with our best recommendations in her chosen vocation as
well as her humanity. 
Susanne Wad 
Film Studies Director, Station Next           
           
November 4, 2003 - USC SCHOOL OF CINEMA AND TELEVISION
“It has been my pleasure to have Ms. Birgitte Moos as an Artist in Residence at USC’s School of Cinema
and Television, Division of animation and Digital arts from January to June 2003. 
I have worked closely with her during this time… and her creative imagination was inspring to all of us. 
Ms. Moos is a specialist image maker, an artist, thinker and craftsperson who possesses an extraordinary
esthetic sensibility. She is already a visionary in the field, pioneering exciting new areas at the cutting edge 
of technology and the arts, and creating striking and deeply interesting art works in the process. She is a 
creative and gifted talent who not only excels, but stands out. Her works show great sensitivity, versatility 
and universal appeal in many genres of artistic media. She is an excellent conceptual and creative thinker, 
a fine communicator and highly sophisticated in her use of visual language and contemporary computer special 
effect. 
Individuals with her combination of skills, knowledge and talent are extremely rare and much sought after in 
the industry. She will undoubtly bring prestige to any project in which she is involved…” 

Vibeke Sørensen
Professor and Founding Chair
Division of Animation and Digital Arts, USC

 

writings
March  2006. Arts District Citizen Magazine, Los Angeles 
Review of Parsifal, directed by Robert Wilson at The Los Angeles Opera 
by Birgitte Moos

Review of PSiegfried, directed by Achim Freyer at The Los Angeles Opera 
by Birgitte Moos
Transcendental images and spiritual symbols in the millennium epoch of Hollywood films - 
studies of religious signs and symbols in films By Birgitte Moos     
      
                                                                  'An inner constitution becomes a concrete outer' 
                                                                                                                 Shakespeare   
LINK TO ARTICLE